Many thanks to those of you who responded to my most recent post on authorial intent vs. reader-response. I received one sarcastic message that said, in effect, “Can you believe that someone would dare criticize you?” However, this individual misread my intention, which was not to complain about an unfair review but rather to raise for discussion several issues that are in my view highly significant for those with a high view of Scripture, including the following: (1) Is the reader in charge or the author? (2) Is the biblical text autonomous? (3) What is the task of exegesis? (4) What is the role of the commentator? and so on.
To give a bit more background on the review, it was written by a member of the Nyack College faculty who has degrees from Wheaton College (B.A.), Trinity Evangelical Divinity School (M.A.), and Westminster (Ph.D.). Apart from the paragraphs cited, the review was largely positive.
Rereading the critical portion of the review I cited in my previous post, I am struck by the repeated references to “literary”: both “literary artistry” and “literary studies” are mentioned twice. It appears the reviewer holds to a hermeneutic that views textual meaning as in some sense autonomous from the author (be it human or divine) and as apprehended by the reader in reflection on a given text. In his response, Mike Bird rightly points to the work of Kevin Vanhoozer and Anthony Thiselton here, who have shown that authors are communicative agents and texts communicate acts whose meaning cannot be legitimately derived in isolation from authorial intention.
As Jeremy Pierce astutely observed in his remarks, rather than merely empower the reader to construe textual meaning any way he or she chooses, the reviewer actually does attempt to provide textual evidence that Yahweh’s wooing his wayward people as a lover resonates in John 4. The question, then, becomes: By which criterion or criteria, if not authorial intent (whether human and/or divine), should we judge the validity or plausibility of this kind of interpretation? It seems that it is at this critical juncture that the distinction between biblical theology and a postmodern reader-response approach emerges. Several of those of you who responded to my previous post, in my opinion, rightly opted in favor of the former while rejecting the latter.
Now it seems that the reviewer, for his part, uses the criterion of aesthetic pleasure derived by the reader in contemplating possible textual meanings. Consider the following quotes: “I enjoyed the process of contemplating it”; “it led me to a deeper appreciation of Yahweh as lover”; “[s]tudents . . . deserve to have their imaginations and aesthetic impulses fully engaged” (emphasis added). The role of the commentator, in such a scenario, is that of raising a variety of meaning possibilities (invariably blurring the lines between authorially intended and reader-constructed meanings) in order to stimulate the (post)modern reader’s artistic imagination and aesthetic impulses.
On an exegetical level, however, I continue to be hesitant to embrace the “Yahweh as a wooing lover” symbolism in John 4, for this amount to a close to allegorical reading of the text when a more straightforward reading of this narrative seems more in keeping with the genre of this text. There is no necessary textual link between Jesus being called a bridegroom in the previous chapter and John 4; the setting of Jacob’s well brings in salvation-historical dimensions (Jesus is greater than Jacob, cf. John 1:51); Jesus’ request for a drink in verse 7 and the reference to food in verse 32 hardly “frame the story as a betrothal type-scene”; and the woman’s sexual immorality need not be spiritualized or allegorized but is a natural part of her interaction with Jesus that exposes the woman’s sin in order to show her need for a Savior (cf. John 3:3–5).
Having said this, the present discussion shows, once again, that many disagreements are to be found, ultimately, not on an exegetical but on a hermeneutical level. Have I been unduly recalcitrant in depriving readers who “deserve to have their imaginations and aesthetic impulses fully engaged”? Am I the exegetical equivalent of the “Grinch who stole Christmas” from those seeking to feast on an exegetical smorgasboard of culinary delights of interpretations, whether authorially intended or not? Or have I been careful to observe proper boundaries set by the task of exegesis which are vital in fulfilling the interpretive task as outlined in 2 Timothy 2:15: “Do your best to present yourself to God as one approved, a worker who does not need to be ashamed and who correctly handles the word of truth”?
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